Websites and web apps, built by hand.
Sleight of hand is the one piece of magic that admits it is technique. So does this. You get the finished thing — and the wires, any time you want to look at them.
Not shown on this drawingRates. Every job is quoted after we have talked about it, because a price before the question is a guess.
Two client jobs and two of the studio’s own. Every one is online right now; open any of them and you are looking at the actual thing, in the state its status line gives.
Brighton site and stage crew: festival builds, stage production, plant operators. The people who book them are usually on a phone, on site, with mud on it. The site has to answer “can you do this job, on these dates” before anything else.
A working screen actor — Hijack, Fool Me Once, Disclaimer, Four Lions, Broadchurch. Casting arrives knowing one credit and needs the rest inside a minute, then needs the agent’s number.
A workbench that turns a vague task into a prompt worth reusing. Free, open source, no sign-up. Proof that the studio ships applications and not only pages.
Paste a meeting transcript, get a hand-drawn sketchnote. Version 1 is retired while the renderer, library, editor and export are rebuilt. Shown here as it stands, mid-job.
Tell me the job. I ask what it has to do, and who for.
You get the plan and the price. Nothing is built before you have both.
I build it. You watch it run as it goes, not at the end.
It goes live. You get the keys, the repository and the instructions.
Tell me what you need built and roughly when. I read these myself and reply to all of them.